قراءة في بائيَّة ذي الرُّمة 77 هـ / 117 هـ/ 696 م/735م

Abstract

Levels of processing and innovation. There is no doubt that the production of meaning is one of the complex creative processes; due to its variation, and this study tends in its descriptive and analytical approach to infer the mental image that Dhu al-Rummah used in his poem in depicting the ruins, the woman and the animal, and to introspect himself to reveal the psychological dimensions and connotations of the pillars on which his poem was built, and in which he mobilized his linguistic energies and attracted his existential philosophy through his world regardless of whether it was real or imaginary.

The study relied on five pillars that support each other to clarify the poet’s vision and philosophy in life, destiny and the unknown represented in his arduous journey and the dangers he faces in it. The research was divided based on the foundations and pillars of the poem. The poet devoted the first pillar to describing the ruins and the kinship, in which he tried to reveal the psychological dimensions of the poet through what was revealed from the question and abstraction, and the mention of the ruins and the distant beloved.

The second pillar came in describing the camel coupled with himself and what his imaginary world encounters from the specter of imagination and the depiction of his camel, and in it I presented what he aims for from that. As for the third pillar, it was in describing the scene of the wild donkey with its two young, in which I presented the purposes that the poet intended in his images and words. In the fourth pillar, I dealt with the scene of the wild bull with the dogs, in which I clarified the meanings of the images and words and their dimensions. The fifth pillar came to depict the scene of the gazelle with its ostrich and the journey of suffering for their chicks, from which I derived his personal philosophy in creating These scenes are in the theatre of his poem and his vision of existence.